I (heART) ❤️ Italy
Amedeo’s Ristorante is designed with an artful style of confidence from the Old World. Each piece was hand selected by our team to accentuate the beauty of Oderzo, Italy and the culinary compliments of the Obici family recipes.
Featured Artists
Thomas Arvid
Michael Flohr
Thomas Mangelson
Alexander Volkov
4 Ways to Enjoy Amedeo’s Ristorante & Bakery Art Gallery
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VIEW each piece below to enjoy the story behind the Art and the selection.
ORIGINAL ART BY THOMAS ARVID
Thomas Arvid possesses an unerring ability to refine a moment. In doing so he captures our wonder and has become an art world phenomenon. Art Business News (May 2003) credits him with “launching a major art trend…” with his oversized still life compositions of wine and the rituals surrounding it. Arvid astounds viewers with the intricate details of his images and with his mastery of light, depth, and reflection.
The magic of his painting is in Arvid’s ability to visualize and chronicle an entire scene beyond the frame – to tell a story of enjoyment and the good life – using lush color and adroit composition. Arvid is passionate about art and wine: a collector of both, he strives to capture the pleasure of a life well-lived on each canvas. An Atlanta resident and fresh-faced father of two young sons, the self-taught artist insists that wine should be approachable; his paintings are an embodiment of the casual way that we enjoy wine today. He is an appealing role model for a lifestyle of easy elegance and unpretentious charm.
Arvid’s approach to wine and painting is surprising, given his background as a Detroit native raised to parlay his inherent artistic talent into a secure job in the industrial complex. Instead, Arvid made the leap into pursuing his art as a career, and with the support of his art historian wife and inspiration garnered during a backpacking trip through Europe, he began painting full time.
Drawn to wine by his focus on the color red, Arvid knew he had discovered something when his paintings featuring red wine were being purchased before they were finished. Arvid is awed by the response to his work, “Wine is a great subject because people are familiar with it; they really connect to it. My paintings are really the landscapes between people sharing wine – it’s amazing that my collectors find personal fulfillment in my work, especially when I’m just doing what I love.”
The aura surrounding Arvid’s work is palpable. His international appeal has created such demand that his work is represented by over 50 elite art galleries in the US, Canada, and Japan; collectors are willing to wait years for one of his originals. Influential wineries such as Silver Oak Cellars, Far Niente, and Diamond Creek Winery collect Arvids because he translates the craftsmanship of wine to canvas. Doug Shafer, of Shafer Family Vineyards, likens Arvid’s skill to that of a winemaker, “Arvid’s style is big and bold, with enough selected detail and softness to create a sense of balance . . . this blend of elements is precisely what winemakers hope to bring to their top vintages.”
Today, Thomas Arvid and his wife, Vanessa, head Thomas Arvid Fine Art, Inc., one of the most successful boutique art publishing companies in the country. Founded in 2000, the company distributes Arvid’s limited editions and originals across the country and the world. In 2004 they released a retrospective of Arvid’s work, “Arvid: Redefining the Modern Still Life,” that traces the development of Arvid’s style from its beginnings a decade ago to the lifestyle it is today. The book is a fitting chronicle to illustrate one of Arvid’s favorite phrases, “Life without art is like dinner without wine. Why bother?”
ORIGINAL ART BY MICHAEL FLOHR
Michael Flohr's technical style, loosely defined as “Urban Impressionism”, “has been described as a combination of avant-garde, abstract expressionism and impressionism”.[3] He uses square brush strokes with elevated texture. When asked about his influences, Flohr says:
“The works of impressionist artists throughout history inspire me, specifically Pissaro, Monet, Manet, and Degas. Like these artists, I prefer to work in oils. I love oil paint because of its durability and the richness it brings to the canvas. I also believe that most people with an appreciation for art respect an artist's use of this classic medium.
I do not work with models. I prefer to sketch 'in the moment' as a scene unfolds, most often with charcoal. Many times, these sketches will become works of art in themselves, because they capture a different mood. Sometimes I work with candid photographs. I look for visual clues in a scene and then consider the overwhelming choices of color I can use to create my interpretation of an image. Observation is everything for me. Whether it is seen, heard or read; it is all connected to that which can be processed into a visual.”
ORIGINAL ART BY THOMAS MANGELSEN
Renowned American nature and wildlife photographer Thomas D. Mangelsen has traveled throughout the natural world for over 45 years observing and photographing Earth’s last great wild places. A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior.
One of the most prolific nature photographers of our time, Mangelsen is as much an artist as he is a conservationist. Tom was named the 2011 Conservation Photographer of the Year by Nature’s Best Photography, placing his work in the permanent collection at the Smithsonian’s National Museum of Natural History in Washington, D.C. He was named one of the 40 Most Influential Nature Photographers by Outdoor Photography. His image Polar Dance was selected by the International League of Conservation Photographers as one of the 40 Most Important Nature Photographs of All Time. He was chosen as one of Dr. Jane Goodall’s Heroes of the Animal Planet and profiled in the television series of the same name. Mangelsen was named one of the 100 Most Important People in Photography by American Photo magazine and honored with Nikon’s Legend Behind the Lens recognition. The North American Nature Photography Association named him Outstanding Nature Photographer of the Year, and Mangelsen also received the prestigious British Broadcasting Corporation’s Wildlife Photographer of the Year Award. He was presented with an honorary doctorate from Doane College and received an Honorary Fellowship from The Royal Photographic Society.
Mangelsen’s photographs have been exhibited internationally. Showcased in Vital Signs: Images of Biodiversity, this exhibit was a combination of Mangelsen’s art and knowledge of natural history, and stressed the importance of maintaining a balanced and diverse ecosystem. Vital Signs opened at the San Diego Natural History Museum in 1997 and was also exhibited in museums throughout the United States and Canada. Tom’s photography has been shown at the Natural History Museum in London, the Joslyn Art Museum in Omaha, Nebraska and in a major exhibit at the National Museum of Wildlife Art in Jackson, Wyoming and the San Diego Natural History Museum.
Tom joined fellow renowned nature photographers Frans Lanting and Art Wolfe in presenting the Masters of Nature PhotographySeminars. The three prominent photographers present a unique event drawing on their wide-ranging experience with subjects and locations around the world to change how photography is looked at and empower attendees to use photography to benefit conservation causes and other personal interests.
ORIGINAL ART BY ALEXANDER VOLKOV
Alexander Volkov is a Russian-American oil painter who was born in St. Petersburg in 1960 and has lived and worked in Hunterdon County for 25 years.
He started painting with oil as a high school student. From the age of 7 to 17 he attended a special English school and in 1986 graduated from the Department of Physics at Leningrad State University. Following graduation, Alexander worked as an animator at Leningrad Studio of Science Films and later as a stage artist in a small Leningrad theatre.
In 1981, he began to exhibit his original paintings with the “Brotherhood of Experimental Arts”, a collective of “underground” art groups active in Leningrad at the time. Later, he joined a splinter group called “Ostrov” or “Island” which united 30 artists who felt that, ideologically, their work was neither socialist realism nor extreme avant garde.
Reluctantly, he calls himself a “self-taught” artist.
“We really teach ourselves. If you want to learn, you will always find someone to learn from, be they dead or alive, great or unknown. You will learn from everything you see and hear around you, if you are willing to pay attention. Perhaps, during my formative years, I have made a lot of unnecessary mistakes, but at the same time I have had the enormous advantage of picking my own teachers.”
And so they were: William Turner, Vermeer, Franz Hals, Rembrandt and many others from the previous centuries as well as Edward Hopper, Maxfield Parrish and Andrew Wyeth of the 20th century. They also were Beethoven and Satie, Nabokov and Steinbeck, Einstein and Tarkovsky. Also school and university friends, physics professors and struggling artists.
“They have all taught me something – how to see, hear, understand things and most importantly, how to understand myself. I cannot separate any one of their voices from the voice which I hear inside of me and which has become my own voice.”
Combining a lifelong fascination with architecture, landscape and still-life subjects, Alexander brings drama and poetic expression into his work.
With his unique vision, he merges mood and atmosphere, evoking powerful emotions that create harmony.
“There is no greater mystery to me than the conflict of light and dark. In the way they clash and penetrate each other, there is the source of everything. Whether I paint a landscape, a still-life or a portrait, within it there is always a story of light traveling through darkness.”
Alexander creates landscape oil paintings, mixed media originals, charcoal drawings and genre paintings and is also available for commissions. Alexander is a self-published artist. Through Alexander Volkov Fine Art LLC he offers a vast portfolio of Limited and Collectors Editions on Canvas, based on his original works. Alexander Volkov Fine Art LLC prints and varnishes all pieces, and Alexander embellishes, signs and numbers every piece.